Theofficial English website of Musashino Art University (MAU). Provides detailed information about MAU, courses, international relations, collaborations and admissions guide. Institut Teknologi Bandung (Indonesia) Collaborative Project with Design Academy Eindhoven. International Collaborations 2017; International Collaborations 2016 Shewon an acquisition award at the 2016 Mornington National works on Paper Award, the 2015 Cayte Latta Award for Visual Arts, the 2013 Redlands Art Prize Audience Award, the 2012 Albury Art Prize, the 2009 Fisher's Ghost Award, the 2009 Screengrab International New Media Art Award, and with boat-people.org, the 2004 WINK Award. CreativeAdvertising S1 Program aims to provide good creative education for future creative people in the advertising industry, allowing them to work together in creative teams to produce the best contemporary visual design for advertising. In this Program, future students will learn how visual communication design artworks are created, and BandungContemporary Art Awards 10 Pameran Seni Terpopuler 2017 Foto: Mukhlis Dinillah Ajang Bandung Contemporary Art Awards selalu memunculkan seniman-seniman muda baru. Usai pengumuman tiga seniman terbaik BaCAA #5 pada 5 Oktober, karya 15 finalis pilihan dipamerkan di Lawangwangi Creative Space sampai 5 November. Martinezis a recipient of the Ateneo Art Awards for his exhibition 1 Billion Years at West Gallery, Philippines. He exhibits internationally and has worked with different media, including sound. His recent exhibitions include City Prince/sses (2019) at Palais de Tokyo in Paris; 50 Years in Hollywood (2019) at Pinto Art Museum in New York; WASAK! 2017 Gejolak. G13 Gallery, Kuala Lumpur. Tari Rimba. Trans56, Art Row Publika, Kuala Lumpur. Contemporary Art Now National Art Gallery, Kuala Lumpur. 2003 Drawing Show Phillip Morris Art Award '95 National Art Gallery, Kuala Lumpur. 1994 War Box, Lalang, Killing Tools uHh21. ATURAN MAIN Bandung Contemporary Art Awards 2017 DAFTAR ISI Pemenang & Penghargaan - 2 Persyaratan Peserta - 3 Tema - 4 Prosedur Pendaftaran - 5 Persyaratan Kekaryaan - 6 Tahapan Penjurian - 7 Tanggal Penting - 8 Penjualan & Lelang Karya - 9 Kontak Panitia BaCAA 5 Lawangwangi Creative Space Jl. Dago Giri 99 Mekarwangi Bandung, 40391 – Indonesia +62 22 250 4065 +62 859 5657 2344 [email protected] Pemenang & Penghargaan Tiga 3 seniman dengan seniman terbaik, mendapatkan 1. Satu seniman terbaik akan mendapatkan uang tunai sebesar Rp. 2. Satu seniman terbaik akan mendapatkan satu 1 kesempatan program residensi ke luar negeri selama 3 tiga bulan di tahun 2018. Hadiah program residensi seniman ini mencakup biaya • tiket pesawat pulang-pergi dan penginapan, • biaya hidup, • biaya material produksi kekaryaan dalam jumlah yang masuk akal, dan • biaya untuk pameran tunggal sebagai hasil akhir program residensi. 3. Satu seniman terbaik lainnya mendapatkan kesempatan Art Trip di tahun 2018. Hadiah program Art Trip mencakup • biaya tiket pesawat pulang-pergi, • akomodasi 1 minggu, • uang saku sebesar 1000 USD. Persyaratan Peserta 1. Seniman muda Indonesia baik individual maupun kelompok yang aktif berkarya sebagai perupa. 2. Mempunyai pengalaman berpameran baik itu kelompok/tunggal dalam tiga 3 tahun terakhir. 3. Usia maksimal seniman 40 tahun per Desember 2017. 4. Memenuhi persyaratan aplikasi pendaftaran berupa • isian formulir yang disediakan, • lampiran Foto/Video karya seni yang diikutsertakan, • konsep karya, • foto diri, profil singkat dan CV seniman. 5. Menyetujui tahapan dan aturan main penganugerahan seni BaCAA5 yang berlaku. Tema BaCAA 5 tidak menetapkan tema khusus untuk karya-karya yang disertakan. Target kekaryaan yang terpilih adalah karya yang mempunyai ide, konsep/deskripsi, produksi teknis karya yang baik dan berkaitan sangat kuat antara konsep dan hasil akhir kekaryaannya. Prosedur Pendaftaran Batas Registrasi & Submisi Karya 12 Agustus 2017, 2359. Mohon diingat bahwa proses konfirmasi pembayaran membutuhkan waktu hingga 5 hari. Disarankan peserta mendaftar dan melakukan pembayaran seminggu sebelum penutupan. 1. Setelah melakukan pendaftaran, peserta membayar biaya pendaftaran sebesar Rp. atau Rp. seniman. 2. Setelah melakukan pembayaran via transfer rekening bank, peserta wajib mengunggah bukti transfer secepatnya pada situs untuk diaktifkan akunnya setelah dikonfirmasi oleh panitia. Verifikasi dapat memakan waktu hingga 5 hari. 3. Setelah akun aktif, peserta wajib mengunggah • lampiran Foto/Video karya seni, • konsep karya, • foto diri, profil singkat dan CV seniman. 4. Peserta dapat mengubah lampiran persyaratan sebelum 12 Agustus 2017. Persyaratan Kekaryaan 1. Karya seni minimal dibuat diantara tahun 2015 sampai dengan Februari 2017. 2. Karya-karya seni ini dimiliki oleh sang seniman atau kelompok seniman dan bersedia untuk dijual. 3. Setiap seniman atau kelompok diizinkan mengirimkan paling banyak satu 1 karya. 4. Karya 2 dimensi dimensi maksimal 6m2 contoh 2x3m; 1,2x5m; 4x1,5m. 5. Karya 3 dimensi dimensi maksimal 3m3 contoh 3x2x1m; 3x2x1,5m. 6. Karya video durasi tak melebihi 10 menit. 7. Karya instalasi seni maupun peruntukan di ruang publik ukuran maksimum tidak lebih dari 3m3 3x3x3m. 8. Setiap karya harus dikemas dalam peti yang aman untuk keselamatan pengirimannya. 9. Khusus untuk keterangan foto karya, harap diberikan keterangan foto “nama-seniman_judul-karya_tahun_medium_tinggixlebar/tinggixlebarxdalam” Contoh Nur-Hayati_Memorabilia1_Instalasi-Media-Campur_ 2014_2mx1mx20cm. 10. Apabila karya video perlu ditambahkan lampiran foto/still image dari karya video tersebut dengan keterangan karya. Contoh penamaan Asep-Jaya_Family-Portra 11. Deskripsi/gambaran singkat karya maksimal 300 kata, menjelaskan konsep, latar belakang dan teknis pembuatan karya tersebut. Tahapan Penjurian • Pemilihan Semi-Finalis. Dari seluruh karya yang diterima dari pendaftaran online, Dewan Juri akan memilih sebanyak-banyaknya tiga puluh 30 peserta untuk masuk pada tahap Semi-Finalis. 30 Semi-Finalis diwajibkan mengirimkan karya untuk tahap penjurian selanjutnya sebelum tanggal 12 September 2017 ke Panitia BaCAA 5 Lawangwangi Creative Space Jl. Dago Giri no. 99 Mekarwangi Kab. Bandung 40391 • Pemilihan Finalis. 30 karya yang telah diterima oleh panitia BaCAA 5 akan dinilai oleh Dewan Juri untuk memilih 15 orang finalis. 15 karya finalis terpilih akan dipamerkan di Lawangwangi Creative Space, Bandung, pada 5 Oktober-5 November 2017. • Pengumuman Pemenang. 3 orang finalis terbaik akan diumumkan pada pembukaan pameran pada tanggal 5 Oktober 2017, bersamaan dengan pembukaan pameran finalis BaCAA 5. Tanggal Penting • Batas Registrasi, Pembayaran dan Submisi Karya 12 Agustus 2017 • Pemilihan 30 Semi-Finalis 18-28 Agustus 2017 • Pengumuman 30 Semi-Finalis* 30 31 Agustus 2017 • Pemilihan 15 Finalis 18-20 September 2017 • Pengumuman 15 Finalis* 22 September 2017 • Malam Penghargaan/Pembukaan Pameran 5 Oktober 2017 • Pameran 5 Oktober-5 November 2017 *Semi-Finalis dan Finalis akan diumumkan melalui e-mail, social media, media partner dan website resmi BaCAA. Penjualan & Lelang Karya Ke-15 karya seni Finalis akan dijual dengan sistem lelang tertutup, dimana calon pembeli atau kolektor akan memberikan harga pada setiap karya yang ingin dibelinya sesuai harga kisaran yang telah ditentukan. Kisaran harga karya diketahui dan disepakati sebelumnya oleh finalis. Setiap finalis diberikan surat kontrak kerjasama pameran/proyek sebanyak maksimal 3 kali baik pameran/proyek tunggal maupun bersama dengan Artsociates ataupun Lawangwangi Creative Space. Kontrak ini berlaku dalam jangka waktu 5 tahun. Bagi hasil seniman dan penyelenggara sebesar 5050. Seniman mendapatkan 50% dari hasil penjualan melalui lelang, penyelenggara mendapatkan 50% yang akan dimasukkan dalam dana sumbangan endowment fund yang didedikasikan untuk keberlangsungan penyelenggaraan BaCAA selanjutnya. EDUCATION 2008 – 2013 Institut Teknologi Bandung, Indonesia, Faculty of Art and Design, Fine Arts Department, Cum Laude AWARDS 2017 Finalist of Bandung Contemporary Art Awards 5 2015 Finalist of Gudang Garam Indonesia Art Award 2015 2013 Finalist of Indonesia Art Award 2013 2011 Outstanding student of the year, Department of Fine Arts, Institut Teknologi Bandung RESIDENCIES 2022 Framer Framed Werkplaats Molenwijk, a three-month residency, Amsterdam, the Netherlands 2020 – 2022 Rijksakademie van beeldende kunsten, Amsterdam, the Netherlands 2015 Sàn Art Laboratory Session 7, a six-month residency, Sàn Art, Ho Chi Minh City, Vietnam ​ GRANTS AND SCHOLARSHIP 2022 Artist publication grant, Stichting Hinderrust Fonds, The Netherlands 2021 Artist publication grant, Stichting Hinderrust Fonds, The Netherlands 2020 Travel grant, Sidharta Aboejono Martoredjo SAM Fund for Art and Ecology 2019 Research grant, Religions, Beliefs and Personal Values’, Manila, the Philippines, Yogyakarta Biennale Foundation 2011 Bidikmisi scholarship, Directorate General of Higher Education, Ministry of National Education Republic of Indonesia ​ SOLO EXHIBITIONS 2022 A rising flower makes a garden, Framer Framed Werkplaats Molenwijk, Amsterdam, the Netherlands 2019 Optik-Optik Kecil, Rumah Tangga, Depok, Indonesia 2013 Laif, Griya Gerilya, Bandung, Indonesia ​ SELECTED EXHIBITIONS AND FESTIVALS 2022 Between Four Walls, PrintRoom, Rotterdam NL Re-Vision Performing Arts Festival, Belfast UK there, there, Greylight Project, Heerlen NL Indonesia Bertutur, Performance Art Gathering, Makassar ID Rijksakademie Open Studios 2022, Rijksakademie van beeldende kunsten, Amsterdam NL 2021 Layangan Jatuh, Langit Terbang Folk in the Present, Rumah Tangga, Depok ID KAUM Indonesian Alternative Performance and Film Festival, Volkspark Hasenheide and Treptower Park, Berlin DE Rijksakademie Open Studios 2021, Rijksakademie van beeldende kunsten, Amsterdam NL 2019 Biennale Jogja XV EQUATOR 5, Jogja National Museum, Yogyakarta ID 2018 Sirkuit Seni Performans, Gudskul, Jakarta ID Baligh, Rewind Art 17, Universitas Negeri Jakarta - Jalan Pemuda, Jakarta ID We Are What We Eat, Undisclosed Territory 11, Studio Plesungan, Solo ID Yang Tersingkap, Proyek Seni Perupa Perempuan Dewan Kesenian Jakarta, Galeri Cipta II, Jakarta ID House of the Unsilenced, Galeri Cemara 6, Jakarta ID Medium at Play, Gajah Gallery, Yogyakarta ID Integrasi Hybrid Teknologi-Sains-Seni, The Energy Building, Jakarta ID 2017 Exist 2017 Tomorrow as We Know It, Galeri Nasional Indonesia, Jakarta ID Integrasi Teknologi – Sains – Seni , The Energy Building, Jakarta ID Bandung Contemporary Art Awards 5, Lawangwangi Creative Space, Bandung ID JIWA Jakarta Biennale 2017, Museum Sejarah Jakarta, Jakarta ID 2016 Ring Road Project Interkonektivitas, Galeri Serrum, Jakarta ID Art with Purpose, Museum Nasional, Jakarta ID Undisclosed Territory 10, Studio Plesungan, Solo ID 2015 Seks Sex Education, Waga Gallery, Jakarta ID Bahan, Suar Artspace, Jakarta ID No Worries Halal Indonesian Art, Galerie Vanessa Quang, Paris FR Respublica, Gudang Garam Indonesia Art Award, Galeri Nasional Indonesia, Jakarta ID Tracing, Saigon Domaine, Ho Chi Minh City VN Router Art Project, Rumah Seni Cemeti, Yogyakarta ID 2014 It Is Not a Trap, Asbestos Art Space, Bandung ID ARTE Indonesia Arts Festival, Assembly Hall Jakarta Convention Center, Jakarta ID MANIFESTO No. 4 Keseharian, Galeri Nasional Indonesia, Jakarta ID LOOP Festival, La Virreina Centre de la Imatge, Barcelona ES When in Bali Do Like the Balinese Do, Kendra Artspace, Bali ID PADJAK 3, Manggarai Watergate, Jakarta ID PADJAK 4, Pasar Rebo Flyover, Jakarta ID PADJAK 6, Jakarta Old Town, Jakarta ID 2013 Bandung Contemporary Disposition, Selasar Sunaryo Art Space, Bandung ID Post Medium, Indonesia Art Award, Galeri Nasional Indonesia, Jakarta ID SPOT ART, Southeast Asia's Only International, Juried Arts Festival Of Artists Under 30 Years Old, Singapore ARTrium, Singapore SG Exist 2 Instruksi”, Artspace, Jakarta ID Performance Art 101, Taste Market, Paris Van Java, Bandung ID ​ PUBLICATION AS AUTHOR 2022 Route of Flowers A Collection of Parables, editor Hannah Dawn Henderson, Ivan Mous 2021 Tales of Two Flowers Photos, editor Taylor Le Melle, We Had Plans, 150th year of the Rijksakademie van beeldende kunsten, Rijksakademie van beeldende kunsten Publication 2019 Heavenly Garden Creating Intimacy, Developing Empathy, editor Urmila Mohan, The Jugaad Project, Digital Journal ​ BOOK 2021 Mengolah Temuan Seni Berbasis Arsip, Spektrum 2021 Enam Perspektif Seni Rupa Kontemporer Indonesia, writer Sally Texania, Dewan Kesenian Jakarta Jakarta Arts Council in collaboration with Jakarta Biennale ​ PRESS 14/07/2021 Jejaring Dalam dan Luar Negeri 1, interview, rururadio 20/12/2020 Art has the ability to repair damaged social bonds between humans’ – taking a hike with artist Ratu Saraswati, features, Metropolis M website 11/11/2019 Centering the Equator in Global Conversations About Art, Hyperallergic 20/10/2018 Menyingkap Jilbab, Koran Tempo 21/11/2017 Systems, Agency and Other Guises JIWA Jakarta Biennale 2017, The Artling 13/11/2017 17th Jakarta Biennale, “Jiwa”, Art Agenda 22/09/2015 Inspirasi Karya IAA 2015 dari Media Sosial hingga Kiamat, CNN Indonesia 27/09/2015 Seni yang Berakar di Ladang Publik, Koran Harian Kompas 11/11/2013 New Generation of Contemporary Bandung, Sarasvati Magazine TEACHING EXPERIENCES 2016 – 2018 Art teacher, Elementary Program, Sekolah Highscope Indonesia TB. Simatupang, Jakarta ID 2013 – 2015 Drawing teacher, Pre-University of Art, Design, and Architecture, Villa Merah Jakarta ID 2011 – 2012 Lecturer assistant, Basic Drawing, Institut Teknologi Bandung ID Ratu Rizkitasari Saraswati born in Jakarta, Indonesia based in Amsterdam, the Netherlands Ratu R. Saraswati, b. 1990 uses storytelling, performance and photography to engage with people as she aims to nurture empathetic relationships. Saras obtained her BFA from the Faculty of Art and Design’s Institut Teknologi Bandung in 2013. In 2015, she was a resident at Sàn Art, Ho Chi Minh City, Vietnam. In the same year, she was a finalist of the national Indonesian Art Award, followed by the Bandung Contemporary Art Award 2017. Her performances have been commissioned for Jakarta Biennale 2017 and Biennale Jogja 2019. She is a resident at the Rijksakademie van beeldende kunsten, Amsterdam, The Netherlands from 2020 - 2022. ​ ​ ​ ​ Photo credit Verena Blok Cite this Email this Add to favourites Download formats Catalogue Persistent Identifier APA Citation ArtSociates Organization. 2011. Bandung contemporary art awards BaCAA. Bandung ArtSociates MLA Citation ArtSociates Organization. Bandung contemporary art awards BaCAA ArtSociates Bandung 2011 Australian/Harvard Citation ArtSociates Organization. 2011, Bandung contemporary art awards BaCAA ArtSociates Bandung Wikipedia Citation {{Citation title=Bandung contemporary art awards BaCAA author1=ArtSociates Organization year=2011 publisher=ArtSociates language=Indonesian }} You must be logged in to Tag Records Bandung contemporary art awards BaCAA Bib ID 5154359 Format Book Description Bandung ArtSociates, 2011 155 p. col. ill. ; 30 cm. ISBN 9786029620122 Notes Indonesian and English. Subjects Arts, Indonesian. Art - Awards - Indonesia. Other authors/contributors ArtSociates Organization Get this Comments 0 Librarian's View Copyright Status Online In the Library Request this item to view in the Library's reading rooms using your library card. To learn more about how to request items watch this short online video . Order a copy On residencies, Bandung Contemporary Art Award and ARTJOGBy Ian Tee Etza Meisyara. Photo by Lawangwangi Creative Space. A&M's Fresh Faces is where we profile an emerging artist from the region every month and speak to them on how they kick-started their career, how they continue to sustain their practice and what drives them as an artist. Read our profile on Indonesian artist Etza Meisyara you talk about your background? And at what point in your life did you decide to pursue a career in art?Music has been my hobby since I was a child. Before I was interested in fine arts, I made music and wrote songs in a professional capacity, doing freelance work for commercials and independent short films. In Bandung, I've performed at various music events as a guitarist, singer and composer. In 2009, I attended the Intermedia Art Studio programme at Bandung Institute of Technology ITB where my fascination in new media art I cannot say exactly when I decided to pursue a career in art, the first work I made after graduation is a reminder of the reason why. The piece is titled 'Iqra / Baca' and it was born out of my interactions with a visually impaired woman. Our dialogues were transferred to a braille plate which I made a charcoal rubbing on. The dots that appeared then became musical notations and through this process we collaborated on the composition. The experience made me aware of the issue of accessibility and the importance of being sensitive to others. It pushed me to develop a humanist side to my interests in technology and new media. Etza Meisyara in collaboration with Invisible Flock & British Council, 'Aurora Project', 2018, site-specific installation at Toxteth Reservoir Liverpool, UK. Image courtesy of Invisible Flock. Could you share how you’ve maintained your practice after graduation? What are the important factors that spurred you on?Residencies are significant as they challenge me to sharpen my ideas after graduating. I had the opportunities to gain new experiences through my time in Singapore, Japan, Iceland, Germany, France, and the United Kingdom. One particularly ambitious project was a collaboration with Mama Choir, an immigrant community in Liverpool. I recorded the members' voices as they spoke up about issues they face and how conflict has affected their lives. Thereafter, I created a musical composition out of the recording which aimed to express the tones of emotion in their story. This rhythm of tragedy and hope was the ambient sound for 'AURORA' 2018, an artistic production presented at Toxteth Reservoir in from a wide range of their backgrounds, artistic skills and knowledge are brought together in such collaboration projects. The element of social engagement also introduced me to a variety of perspectives. While it is important to experiment with new mediums and integrate technical skills into the work, I also wanted to convey a sense of humanity and speak about the many problems in our world. Etza Meisyara, 'Passing By', 2018, exhibition installation view at Lawangwangi Creative Gallery, Bandung, Indonesia. Image courtesy of Lawangwangi Creative Space. How did the opportunity for your first solo show come about? What was the process like preparing for it?The opportunity for my first solo exhibition at Lawangwangi Creative Gallery came after I became one of Bandung Contemporary Art Award BaCaa winners in 2017. The award programme is supported by Lawangwangi Creative Space and ArtSociates, and this competition happens once every two years. Prior to winning the prize, I participated in group exhibitions at the space and ArtSociates founder Mrs. Andonowati had been tracking my practice. I have been officially represented by them since 2018. For my first solo show, I presented 35 etchings. It was the first time I exhibited works in this medium, which I was introduced to during my studies in Braunschweig, Germany. It is fascinating how the copper surface transforms after coming in contact with certain chemicals. Like emotions, the process of oxidation on the plate cannot be controlled. These etchings feature rustic landscapes and old buildings, and the mood evoked is a sense of melancholia I felt on my lone adventures in foreign places. For me, creating art is like working on a musical composition, following the rhythm of has been a mentor or an important artistic influence? And why? One of my key influences is the sound artist Christine Sun Kim. As a deaf person, she explores ways to experience sound beyond the aural impact it has on our ears. A range of vibrations and frequencies come into play in her work through the use of transducers, audio speakers, piano wires, helium balloons, and even her own breath. I am interested in artists who expand our sensory capabilities and in Christine's work, she thinks about sound conceptually as a form of social currency. Etza Meisyara, 'Iqra Baca' detail, 2013, mixed media installation. Image courtesy of artist. What was one important piece of advice you were given?This isn't from anyone in particular but I've always found it important to pay attention to and understand our environment through all the senses. This influences how I create my work and live my life as well. The universe has its own ways of communicating to us even if all we can hear is silence. It gives us signals whenever danger is ahead. For example, a thunderbolt reverberates before a big rain; or animals pick up frequencies and escape to higher ground ahead of a volcanic eruption or tsunami. I created a work titled 'Garam di Laut, Asam di Gunung, bertemu di Belanga' Salt in the Sea, Acid on the Mountain meets in a one pot by translating these sonic frequencies to visual form. What it means is that no matter how far or different, two lovers would eventually meet at the one place at the right time. For me, that is the metaphor of harmony between two different elements. The work was presented at ARTJOG MMXIX 'Arts in Common Common Space' and the message was that humans need to be more sensitive to the signs given by nature. Only then can we have a harmonious relationship. Etza Meisyara, 'Garam di Laut, Asam di Gunung, bertemu di Belanga', 2019, installation view at 'Arts in Common Common Space', Jogjakarta National Museum, Indonesia. Image courtesy of ARTJOG. Could you share your favourite art space or gallery in Indonesia? Why are you drawn to that space and what does it offer to you/ your practice?My favourite galleries are mostly in Yogyakarta. Cemeti Art Space focuses on art exhibitions and projects both by Indonesian and foreign artists; while Ruang MES56 supports experimental approaches to visual arts in Indonesia. Both spaces help expand the networks of Southeast Asian contemporary artists through their residency programmes. What are your hopes for your own local art scene, and regionally as well?Speaking about the contemporary art scene in Indonesia, it cannot be understated that Bandung, Jakarta and Yogyakarta are each distinct in their characteristics. Different habits, environments and cultures greatly affect the artistic style and disposition in each city. Having experienced all three, I must say that they have influenced my outlook. In Indonesia, we have a motto "Bhinneka Tungal Ika". The Old Javanese phrase translates to mean "unity in diversity" or "oneness, out of many''. I think it’s still important to retain diversity and authenticity, even as artists compete with each other. Even though Indonesia now has Museum MACAN, its first international modern and contemporary art museum, in Jakarta. There's still room for improvement in terms of documentation and public awareness of contemporary art in the country. We need more public institutions as well as print and digital publications to increase accessibility. This is such that the subsequent generations will be able to learn and perhaps even envision the possibility of becoming artists themselves.

bandung contemporary art award 2017